‘Shoot Them in the Leg’ and Other Idiocies
No, If You Have To Shoot, Shoot Center Mass
By David Churchill Barrow
The shooting by a police officer of the knife-wielding teenager in Columbus, Ohio has summoned forth the same absurd comments by media and politicians who know nothing about firearms – and their use in adrenaline-filled situations – that we heard from Joe Biden more than once during the campaign: Perhaps the words of wisdom Miyagi gave to Daniel-San should be given unto them: “You… too much TV.” Since they do watch TV, and presumably the movies shown thereon, perhaps the most famous gunfight in the history of the United States would serve to drive the point home: If you have to shoot, put your target down.
October 26, 1881 – Tombstone, Arizona Territory. All of the participants in this fight were skilled with the powerful weapons they possessed; i.e. .44 and .45 cal. pistols, a 12 gauge double-barrel shotgun, and Winchester rifles. Some of the participants had killed men before this fight, and would kill again afterwards. When the fight commenced, the combatants were only about six feet apart in an empty lot next to Fly’s photograph studio. (Some of the “cowboys” had come through the back entrance to the OK Corral nearby, but that is its only connection to the fight.) The shooting lasted only thirty seconds, but in that time about thirty shots were fired. Consider that for a moment – six feet apart, thirty seconds, thirty shots. What were the hits?
The Greatest Conservative Films: The Magnificent Seven (1960)
Bonus: Why Not The Magnificent Seven (2016)?
By Eric M. Blake
Editor’s Note: In April of 2017 writer Eric M. Blake began a series at Western Free Press naming the “Greatest Conservative Films.” The introduction explaining the rules and indexing all films included in the series can be found here. Liberty Island will feature cross-posts of select essays from the series with the aim of encouraging discussion at this cross-roads of cinematic art with political ideology. (Click here to see the original essay. Check out the previously cross-posted entries on Jackie Brown, Captain America: The First Avenger, Captain America: The Winter Soldier, Captain America: Civil War, Unforgiven, Hail, Caesar!, Apocalypse Now, Fight Club, Man of Steel, Batman v. Superman: Dawn Of Justice ULTIMATE EDITION, Wonder Woman, Kill Bill, Gran Torino, The Dark Knight, The Dark Knight Rises, and Blazing Saddles.) If you would like join this dialogue please contact us at submissions [@] libertyislandmag.com.
The Greatest Conservative Films: Rio Bravo (1959)
Bonus: Why Not High Noon?
By Eric M. Blake
Editor’s Note: In April of 2017 writer Eric M. Blake began a series at Western Free Press naming the “Greatest Conservative Films.” The introduction explaining the rules and indexing all films included in the series can be found here. Liberty Island will feature cross-posts of select essays from the series with the aim of encouraging discussion at this cross-roads of cinematic art with political ideology. (Click here to see the original essay. Check out the previously cross-posted entries on Jackie Brown, Captain America: The First Avenger, Captain America: The Winter Soldier, Captain America: Civil War, Unforgiven, Hail, Caesar!, Apocalypse Now, Fight Club, Man of Steel, Batman v. Superman: Dawn Of Justice ULTIMATE EDITION, Wonder Woman, Kill Bill, Gran Torino, The Dark Knight, The Dark Knight Rises, and Blazing Saddles.) If you would like join this dialogue please contact us at submissions [@] libertyislandmag.com.
New Fiction: THE GOAT
By David Churchill Barrow
Lee’s battle plan on the morning of the third day had a lot of moving pieces. Timing would be a factor too, but the Army of Northern Virginia had pulled off such complexities many times in the last two years – against worst odds – and had never failed.
Longstreet didn’t like it…. Didn’t like it at all. “I can safely say there never was a body of fifteen thousand men who could make that attack successfully,” he had warned, but Longstreet was either unaware of, or discounted, Lee’s secret ingredient.
The Greatest Conservative Films: Unforgiven (1992)
BONUS: Why not Tombstone (1993)
By Eric M. Blake
Editor’s Note: In April of 2017 writer Eric M. Blake began a series at Western Free Press naming the “Greatest Conservative Films.” The introduction explaining the rules and indexing all films included in the series can be found here. Liberty Island will feature cross-posts of select essays from the series with the aim of encouraging discussion at this cross-roads of cinematic art with political ideology. (Click here to see the original essay. Check out the previously cross-posted entries on Jackie Brown, Captain America: The First Avenger, Captain America: The Winter Soldier, and Captain America: Civil War.) If you would like join this dialogue please contact us at submissions [@] libertyislandmag.com.
