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11 Risks of Self-Driving Cars Most Don’t Consider

Self-driving cars are upheld as a shining solution to so many problems. Drunk driving doesn’t matter if the car drives the drunk home. Teens can take rides anywhere at any time. Older adults can still access transportation even as vision and reflexes deteriorate. However, there are risks introduced by self-driving cars many fail to consider. Here is a short list of concerns beyond your insurance rate spiking because you’re braking so hard…

From the Big Bang to Sinatra’s ‘Night and Day’

Great Moments in Chaos and Order, Part 1

From the unknown, let’s call it the eternal, a place outside of time and space, comes ignition and a monstrous flash of energy. This creative power unleashes the universe and births the stars. The Big Bang made its appearance some 14 billion years ago, followed by the Earth at 4.5 billion years. Single-cell microorganisms clock in a billion years later.

In the 1920s the Big Bang’s lines of energy reached the well-ordered mind of Belgian priest George Lemaitre, who had been studying the universe’s creation, incorporating Einstein’s general theory of relativity, and unearthing that flashy moment of creation when an itsy-bitsy particle ignited our ever-expanding universe.

Battling some dissenters, atheist Stephen Hawking agreed that the Jesuit priest was the Father of the Big Bang theory. Hawking also believed that if the Big Bang had come out of the chute a tad slow, or too fast, life would never have developed. Perhaps only in Western Civilization would a priest and a confirmed atheist have strong points of agreement, both affected by the energy traces of the Big Bang, and both departing the world, not as the punchline of a joke, but with plenty of grace.

Just What is Conservative Theatre Anyway?

I’m delighted to share my thoughts about conservative theatre with Liberty Island.

As the founder and president of Stage Right Theatrics—the country’s only conservative theatre company—you’d think I’d have a pretty firm grip on just what “conservative theatre” means. Well, I’ve got a grip on it, but I often feel as though I’m holding onto something that’s been thoroughly greased. That’s because the concept of a “conservative theatre” is, in my mind, still evolving. Its definition has expanded over time as I have given it more thought and read/produced more plays, but it is still very much a work in progress.  Here’s where I’m at with it now.

Drive-bys from the Drive-In

Making some snap judgements so you don’t have to…

In this week’s Cultural Dispatches from the Alamo, Griff sets his sights on five recent releases…

On Conservative Antiheroes

In Defense of the Flawed Protagonist

In her Political Writing 101 column here on the Liberty Island website, Jamie K. Wilson argues that conservative writers “need to unashamedly embrace the epic hero”. “I get tired of antiheroes.” she writes. “They are the damaged and suffering heroes that SJWs wish they could be.”

I thought of this advice in light of my own forthcoming novel from Liberty Island, Red Line Blues: The Ballad of Owen Cassel, due out in November. My hero is clearly not an epic hero. He is much closer to the “damaged and suffering” heroes that Jamie disdains. I sat down to write my novel with a particular purpose: to challenge the prevailing sense in mainstream culture that someone with conservative views cannot be complex, let alone cultured. Conservatives are always corrupt, ignorant, and bigoted. If they have some redeeming features to them, they become liberals in the end (like Scott, in Woody Allen’s “Everybody Says I Love You”, whose conservatism turned out to be the result of a brain tumor). Thus was born Owen Cassell—an alcoholic, divorced, disillusioned lapsed Catholic and failed professor, who is nonetheless highly intelligent, charming, well-traveled, and sensitive. His problem is that he falls in love with a younger woman who is liberal.

The Incredibles 2: How To Waste A Good Premise

The Importance of Theme Revealed by Comparing the Original to the New Sequel…

I recently saw The Incredibles and The Incredibles 2 back to back. The Incredibles is a brilliant film: a master-class in storytelling and a lot of fun. The Incredibles 2 is a good film: enjoyable with exciting action sequences and several hilarious bits about parenting. However, in my judgment it does not approach the brilliance of its predecessor. And a big part of the difference, I think, is in the two films’ treatment of theme. [Spoilers ahead!]

The Growing Hidden Market for Information Appliances

Bringing in information appliances like Alexa and Siri costs you your privacy. They’ll monitor and record everything you say, parsing it for key terms to be used in advertising. However, I can’t say they aren’t for everyone. I’m going to ignore those who want to live in a networked home because it feels like the future has arrived and focus on those that are the best (or worst) case scenario.

Political Writing 101: Creating Compelling Epic Heroes

Part 4 In a New Weekly Column With Advice for Conservative Creative Writers

Welcome to this series on how to write fiction from a conservative point of view. These posts can simply be read, or you are invited to join a guided writer’s workshop to practice and critique with other writers. To join the workshop, please email me, Jamie, at kywrite at gmail.com and request an invitation.

Book Review: ‘To Be Men’

The short story collection “To Be Men” was written to embody traditional values of courage, heroism, self-sacrifice and a father’s love that are too often derided in our society. The result of the editor’s work is an eclectic mix of stories by a number of authors.

Editor’s Note: This review is cross-posted from HubPages. If you would like to submit cultural posts from your blog for cross-posting or new, unpublished articles please email submissions [at] LibertyIslandMag.com

The Blessed Mother’s Odyssey Through Science Fiction and Fantasy, Part 1

About a year and a half ago, I wrote the article The Logos: A Perfect Man’s Odyssey Through Science Fiction and Fantasy, in which I compared the character of Jesus Christ with popular characters in fantasy and science fiction, such as Star Trek, Star Wars, select superheroes and The Lord of the Rings. My conclusion was that if he was considered merely as a literary figure, even in that limited sense, Jesus is a singular character in all of history, one that beats all other heroes at their own game. That is because he is portrayed as the Logos himself, a being incapable of making mistakes—but even more so—the model of perfection itself with unlimited, infinite power. No other figure comes even close—because, as I posited, it’s hard for mere humans to even grasp the existence of someone like that.

I now return with another comparable character, and one who is considered to be the greatest creature of all of God’s creation. Only the Logos, who is God and not a creature, is greater. And he is her son.

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