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The Greatest Conservative Films: Wonder Woman (2017)

Editor’s Note: In April of 2017 writer Eric M. Blake began a series at Western Free Press naming the “Greatest Conservative Films.” The introduction explaining the rules and indexing all films included in the series can be found here. Liberty Island will feature cross-posts of select essays from the series with the aim of encouraging discussion at this cross-roads of cinematic art with political ideology. (Click here to see the original essay. Check out the previously cross-posted entries on Jackie Brown, Captain America: The First AvengerCaptain America: The Winter Soldier, Captain America: Civil WarUnforgivenHail, Caesar!, Apocalypse Now, Fight Club, Man of Steel, and Batman v. Superman: Dawn Of Justice ULTIMATE EDITION.) If you would like join this dialogue please contact us at submissions [@] libertyislandmag.com.

The Greatest Conservative Films: Batman v. Superman: Dawn Of Justice ULTIMATE EDITION (2016)

Editor’s Note: In April of 2017 writer Eric M. Blake began a series at Western Free Press naming the “Greatest Conservative Films.” The introduction explaining the rules and indexing all films included in the series can be found here. Liberty Island will feature cross-posts of select essays from the series with the aim of encouraging discussion at this cross-roads of cinematic art with political ideology. (Click here to see the original essay. Check out the previously cross-posted entries on Jackie Brown, Captain America: The First AvengerCaptain America: The Winter Soldier, Captain America: Civil WarUnforgivenHail, Caesar!, Apocalypse Now, Fight Club, and Man of Steel.) If you would like join this dialogue please contact us at submissions [@] libertyislandmag.com.

The Incredibles 2: How To Waste A Good Premise

The Importance of Theme Revealed by Comparing the Original to the New Sequel…

I recently saw The Incredibles and The Incredibles 2 back to back. The Incredibles is a brilliant film: a master-class in storytelling and a lot of fun. The Incredibles 2 is a good film: enjoyable with exciting action sequences and several hilarious bits about parenting. However, in my judgment it does not approach the brilliance of its predecessor. And a big part of the difference, I think, is in the two films’ treatment of theme. [Spoilers ahead!]

Political Writing 101: Creating Compelling Epic Heroes

Part 4 In a New Weekly Column With Advice for Conservative Creative Writers

Welcome to this series on how to write fiction from a conservative point of view. These posts can simply be read, or you are invited to join a guided writer’s workshop to practice and critique with other writers. To join the workshop, please email me, Jamie, at kywrite at gmail.com and request an invitation.

The Greatest Conservative Films: Captain America: The Winter Soldier (2014) 

BONUS: Why not The Avengers (2012)

Editor’s Note: In April of 2017 writer Eric M. Blake began a series at Western Free Press naming the “Greatest Conservative Films.” The introduction explaining the rules and indexing all films included in the series can be found here. Liberty Island will feature cross-posts of select essays from the series with the aim of encouraging discussion at this cross-roads of cinematic art with political ideology. (Click here to see the original essay. Click here to see the previously cross-posted entries on Jackie Brown and Captain America: The First Avenger.) If you would like join this dialogue please contact us at submissions [@] libertyislandmag.com.

The Conservatism of Nexus

Many superheroes have conservative beginnings. If men were benign there would be no need for superheroes. Life was simpler in 1939 when Bob Kane and Bill Finger created Batman. Batman’s motivation, like that of so many comic book good guys, was to right a wrong, in this case the murder of his parents. Batman’s mission expanded to serving the cause of justice, which has always been a conservative idea. We are a nation of laws. Creators may not have consciously realized their characters had a conservative agenda, and in many cases, subsequent writers have expanded that agenda to embrace more liberal concerns such as intolerance and inequality. That is not to say conservatives are not concerned about such things. As always, it’s a matter of degree.

The Blessed Mother’s Odyssey Through Science Fiction and Fantasy, Part 1

About a year and a half ago, I wrote the article The Logos: A Perfect Man’s Odyssey Through Science Fiction and Fantasy, in which I compared the character of Jesus Christ with popular characters in fantasy and science fiction, such as Star Trek, Star Wars, select superheroes and The Lord of the Rings. My conclusion was that if he was considered merely as a literary figure, even in that limited sense, Jesus is a singular character in all of history, one that beats all other heroes at their own game. That is because he is portrayed as the Logos himself, a being incapable of making mistakes—but even more so—the model of perfection itself with unlimited, infinite power. No other figure comes even close—because, as I posited, it’s hard for mere humans to even grasp the existence of someone like that.

I now return with another comparable character, and one who is considered to be the greatest creature of all of God’s creation. Only the Logos, who is God and not a creature, is greater. And he is her son.

The Greatest Conservative Films: Captain America: The First Avenger (2011)

Editor’s Note: In April of 2017 writer Eric M. Blake began a series at Western Free Press naming the “Greatest Conservative Films.” The introduction explaining the rules and indexing all films included in the series can be found here. Liberty Island will feature cross-posts of select essays from the series with the aim of encouraging discussion at this cross-roads of cinematic art with political ideology. (Click here to see the original essay. Click here to see the previously cross-posted entry on Jackie Brown.) If you would like join this dialogue please contact us at submissions [@] libertyislandmag.com.

The Caliber of Her Father’s Regard

Runner Up in the Spring contest: Fantastic Fathers & Magical Mothers

The components of the 9-millimeter automatic lay scattered across her workbench like a three-dimensional schematic. “Keep track of your parts,” her father had told her and that advice, at least, had made sense. The pistol was stock, a low-end brand, and sporting no modifications beyond aftermarket grips and iridescent dots on front and rear sights. No surprise the cheapskate owner required the services of a gunsmith now, she figured. A higher end manufacturer would have employed a better grade of steel for the frame rails, and a gunsmith assembling a custom build would have swapped out the rails and channeled longer tracks into the slide.

Frankenstein, Politician

Grand Prize Winner of the Spring Writing Contest: Fantastic Fathers & Magical Mothers

            “Divide the realm! Let Oligarchs own the cesspool Cities! Common and Partisan shall take the rest. Let each govern as they see fit and prove to the other who governs best. Let Partisan crash the tax and sweep away the regulations.” Of course, Oligarchs would hear none of this. Well did they know the discouragement tyranny brings. When rulers are the winners at every turn. Could Oligarchs leave two gardens growing side by side for comparison? No, they must bite out both eyeballs to stop from being seen!

            Frankenstein declared for martial law across the Realm. He launched his campaign with the brilliant speech on “The Cancer against Freedom”, given before the army in the Valley of Kings. He warned against disloyalty of not only the bureaucracy, but also some generals for fear the intellectuality of the Oligarchs had beguiled them. “Soft men bring hard times; hard men bring soft times,” Frankenstein quoted.

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